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Supreme Court Upholds Copyright Term Extension
in Eldred v. Ashcroft
By Michael Strickland
Motions, University of San Diego School of
Law
February 2003
Last month, the United States Supreme Court
handed down its decision in the highly-publicized
case of Eldred v. Ashcroft, upholding the
constitutionality of the Sonny Bono Copyright Term
Extension Act of 1998 in a 7-2 ruling. Under the
Act, copyright terms were extended an additional 20
years, to a maximum of creator's life plus 70 years
(or 95 years for works owned by corporations). At
issue was whether this extension violated the "for
limited Times" language of the Copyright Clause of
the U.S. Constitution.
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"To
promote the Progress of Science and the
useful Arts, by securing for limited Times
to Authors and Inventors the exclusive
Right to their respective Writings and
Discoveries."
—
U.S.
CONST. art. I, § 8, cl.
8
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The plaintiffs' lead counsel in Eldred,
Stanford law professor Lawrence Lessig, asserted
before the Supreme Court that these repeated
extensions have made copyright virtually perpetual.
"Just as a limited edition print is not limited if
each time a customer comes in a new print is
printed," he argued, "so, too, a limited term is
not limited if each time copyright holders come to
Congress they can extend the term."
In the majority opinion, Justice Ginsburg
rejected the plaintiffs' arguments, saying they
essentially amounted to a claim that "Congress
pursued very bad policy." Furthermore, she argued
that the Constitution gave considerable discretion
to Congress—and very little to the
Court—in the area of intellectual property.
"The wisdom of Congress' action," she added, "is
not within our province to second guess."
Opponents
of the Act also contended that the 1998 extension
violated the spirit of the Promotion Clause by
protecting the interests of movie studios and other
media conglomerates, rather than promoting "the
Progress of Science and the useful Arts." The Act
earned the epithet "Mickey Mouse Protection Act,"
since it perhaps most notably saved the earliest
Mickey Mouse cartoons (including the seminal 1928
cartoon "Steamboat Willie") from entering the
public domain.
In the Loyola Law Review's recent Eldred v.
Ashcroft symposium, visiting USD professor
Lawrence Solum (who also edited the symposium)
commented that "Congress has been concerned most by
the profits of those who created works in the
past." Justice Kennedy seemed to echo Solum's words
during oral arguments last October, when he said
"...if we have to ask what's the most plausible
explanation for [the copyright extension],
to reward existing vested interest or to stimulate
new works, it seems to me that it's probably the
former."
Though Kennedy ultimately signed on to the
majority's opinion, Justices Breyer and Stevens
took up the reins of his sentiments. In his 29-page
dissenting opinion, Breyer contended that the
practical effect of the copyright extension "is not
to promote, but to inhibit, the progress of
'science'...." Stevens focused his aim more
squarely on his fellow justices, concluding that
the Court had abrogated its duty of judicial review
"by failing to protect the public interest in free
access to the products of inventive and artistic
genius—indeed, by virtually ignoring the
central purpose of the Copyright/Patent
Clause...."
Though they suffered a defeat in Eldred,
Lessig and other so-called "copyfight" activists
vow to continue the battle on other fronts. For
now, however, Mickey Mouse remains a protected
species.
"Steamboat Willie" image
©Disney
©2003 Michael Strickland
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